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The past is behind and the present all around. Writing music is a way of uniting all those voices…  

September 19, 2017

          At some point this past year I realized that my recent work wasn’t new music. Certainly it is freshly composed, but it no longer explores sonic frontiers. Rather, it seems to explore older areas. I wish that when hearing one of my pieces, a listener might say: “That sounds like something I have heard before, like something that has always been there.”

valencia graffit apt 2This is reminds of the semantic confusion during the 60’s and 70’s when people were said to be writing “folk music.” Properly understood, folk music would be that which has been passed down from older generations. The successful songwriters of that period immersed themselves in the songs from the past and have made our world richer by adding songs like “The Circle Game”, or “ Me and Bobbi McGee” to our world. Perhaps there is a blur between the old world and the new now. So much music available from so many different places.

Having composed for prepared guitar, and having employed extended techniques, my goal now is simpler: to take an idea and make the most of it. In order to do this, one must let the idea dictate the paths to follow, be they tinged with bluegrass, old folksongs or the limits of a church mode. We create within limits and there is a joy from trying on different clothes, so to speak.

A critic once commented about one of my CD’s that there wasn’t a cohesive style. There were rags and choros, followed by imitative parodies and innovations. One can’t really imagine Steve Reich or Phil Glass doing those different things on a recorded project. I’d like to think that there is a bit of myself in each of these styles, that my ears are made afresh with every project. Each piece is an adventure, be it through the world of 12 bar blues or through a looping pedal. Each piece is a different way to use my resources.chelva steep incline 2

It is also the response of a teacher hoping to share the joys of discovery with the guitar world. Ragtime and blues music present the challenge of using certain harmonic patterns, while the restrictions of a mode may force one to think of melodies and drones. Each new problem is a bit of a stretch. My place in the music world may be modest but is filled with wonder.

One day Nasrudin went to visit a neighbouring village. He stopped to rest, and while doing so read a bit from his favourite book. He put it down to have a drink before getting up to leave. It wasn’t until he was at his friend’s house that he realized his book had been left behind. It was no longer there on his way home and he worried that it was lost forever.

A week later a goat came by and dropped the book at Nasrudin’s feet, which inspired the master to leap up calling, “it’s a miracle, it’s a miracle.”

“Not really,” said the goat, “your name was written inside the cover.”

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